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Rhetoric
The field of rhetoric includes a long, complex history and tradition, including the classical rhetoric of Aristotle, Cicero, and Quintilian all the way to the present day. An attempt to define rhetoric can be just as complex as its history, as caution must be taken to avoid a definition that is too restrictive. Perhaps the simplest and most accurate definition of rhetoric is that it is a form of communication that includes both the art and practice of effective speaking and writing, often with the intent of persuasion. This wide-ranging field produces rich areas of research to be cultivated by communication scholars. In this entry, how rhetoric shapes reality, as well as the intent behind rhetoric, is examined, followed by a discussion of rhetorical criticism and methods of rhetorical examination.
It is important to recognize that rhetoric helps constitute our reality. In other words, rhetoric operates as constitutive of reality, of identities, and of knowledge. All rhetoric exhorts individuals to be something rather than another. Directing one’s attention one way rather than another is a value judgment. Language is not a neutral way to evaluate people, events, and worldviews, but instead acts to create the world around us. Only by recognizing this function of language is it possible to move to a deeper understanding of how a text functions.
The study of rhetoric should not focus on the intent of a rhetor; for example, did the speaker mean to do x, y, or z? Figuring out the intentionality of a speaker cannot be definitively proven. Take the example of someone at a party stating, “My glass is empty.” As Robert L. Scott noted, multiple different interpretations exist for what “my glass is empty” could be intended to mean. Intent then not only becomes unknowable, but asks a wrong question altogether. Instead, rhetorical analysis focuses on symbol use, persuasion, and constitutive elements of discourse.
Rhetorical Criticism and Method
There is not a singular, preprogrammed methodology as rhetorical criticisms. Instead, there is an inventional component to criticism, whereby the critic takes up the rhetorical artifact and continually revises one’s understanding based upon what is occurring within the artifact. In this sense, rhetorical criticism is not ploddingly methodical, but instead an organic, evolving process between the critic and the artifact. Thus, a rhetorical “method” is a broad concept.
These general procedures are best thought as critical heuristic vocabularies instead of a singular, unified, systematic methodological approach to rhetorical studies or criticism. Just as there are multiple ways that one person can look at a situation, so too are there multiple ways to evaluate a rhetorical artifact. In their 1994 edited collection titled Critical Questions, William L. Nothstine, Carole Blair, and Gary A. Copeland argued that rhetorical criticism—while not seen as a traditional method—still has a methodological approach through developing heuristic vocabularies. These heuristic vocabularies inform one how to read or approach a rhetorical text.
The rhetorical process usually begins when a critic is intrigued by a rhetorical artifact, which then prompts the critic to ask certain questions about the artifact. In this way, rhetorical analysis functions as a way to explain how rhetoric works. There is not one correct way to approach rhetorical studies, but instead rhetorical methodology calls on the critic to develop a heuristic vocabulary with which to talk about the artifact(s) at hand. Like other forms of art, the critic ultimately plays a large role in how the finished product of analysis evolved over time.
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