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GeoMedia is an interdisciplinary field of research combining the methods and phenomena of inquiry from media studies and geography. Also referred to as communication geography, GeoMedia examines the production, distribution, and representation of mediatized content across both the material world and virtual space. The growth of communication technologies across globalized networks of mass media and modern telecommunications has created research opportunities to explore the diffuse interactions and relationships of media among persons and publics. Cultural geography, meanwhile, refers to how landscapes and spaces establish and violate norms among governments, institutions, and culture. Taken together, GeoMedia marks the intersection of these interests and affords scholars an opportunity to engage the mediatized practices of human behavior across spatial environments. This entry defines GeoMedia, briefly introduces its theoretical perspective, and examines the various research approaches to this relatively new and growing field.

Epistemological in scope, communication geography identifies the dynamic flows of people, technology, and mediated communication and assesses what, if any, impact they have on the creation of places or spaces. GeoMedia is an area of inquiry uniquely suited to respond to a globalized world where the distinctions between time and space have collapsed due to media convergence. Instantaneous access to news and connectivity from a variety of media, ranging from the traditional, such as radio and television, to the new, including mobile phones and tablets, have generated mediatized networks that cross or blur boundaries of neat cartographical representation. As such, a consideration of the spatial conditions of communication requires media scholars and geographers alike to familiarize themselves with one another.

Theoretical Perspective

While communication scholars analyze the symbolic verbal, nonverbal, and mediatized aspects of human experience, geographers create and/or analyze representations of how places and spaces are created. The two fields appear thus distinct. However, areas within each discipline have gradually converged as the critical and cultural, spatial, and mobilities turns in the humanities and social sciences have challenged a priori assumptions of representation.

For communication and media scholars, this means rethinking the transmission model of communication, which is predicated on a simplistic linear flow of content from a source through a medium to a receiver. This is due to both the multimedia effects of contemporary culture, which has ushered in what Jean Baudrillard refers to as privileging the simulacrum of the hyperreal, and a rethinking of how the original authorship or rhetoric of traditional, humanistic subjects communicate with others through reason alone. Many communication and media theories emphasize continual feedback loops between sources and audiences as well as posit how publics are constituted through power and ideology. Furthermore, distinctions between the private and public spheres have effectively collapsed due to the rise in new communication technologies and the interactive hub of social media networks.

It is equally important to recognize that the study of geography should not be confused with cartography alone. Cultural geography, in particular, challenges the authority of designating boundaries in the material world and examines how people and institutions spatially create landscapes that establish, sustain, and/or resist power. Gunnar Olsson and John Pickles are two geographers who have separately critiqued cartographic reason by identifying the ways in which maps are constructs that often reflect ideological motivations, while Ken Hillis has argued for an explicit engagement of communication theories among geographers.

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