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Diaspora refers to a group of people that has dispersed transnationally from a specific homeland, usually for a distinct reason such as war, poverty, or religious conflict. Although traditional definitions emphasized the forced displacement of such communities (diaspora as victims), typologies that emerged in the 1990s refer to various processes of dispersal, the communities that are dispersed, experiences of dispersion, as well as cultural expressions following from it. The concept has become a critical space for reflections about how media relate to modernism, globalization, human mobility, and global inequalities. This entry examines conceptualizations of diaspora, the development and use of diaspora research in the media and communication studies fields, and ethical considerations that may arise in diaspora research.

Conceptualizing Diaspora

Since the 1990s, the concept of diaspora has gained importance in disciplines such as ethnic studies, cultural studies, anthropology, area studies, and human geography. It has become a keyword in media and communication studies mainly through influential writings by authors in the field of cultural (media) studies and postcolonial studies, including Stuart Hall, Paul Gilroy, and Homi Bhabha. The concept was further developed and disseminated in media and communication studies throughout the 1990s and early 2000s as a result of empirical studies on media in diaspora communities by authors such as Myria Georgiou, Marie Gillespie, Christine Ogan, and Daniel Dayan. The concept has also been criticized for its overuse and risk for essentialism. Related to these criticisms is that, in many cases, diaspora is used as a synonym for demographic realities (e.g., cross-border migration) or hard-to-define concepts that evoke particular political discourses and policies (e.g., racial, ethnic, religious and cultural minorities, ethnic groups, exile communities, or marginalized groups).

To tackle these challenges, critical researchers in media and diaspora studies have followed two strategies. The first is to embrace the social diversity and multipolarity that exists within groups of people labeled as diasporas by acknowledging and studying their multiple trajectories and axes of belonging. This implies incorporating intersecting identities into the diasporic framework by recognizing that questions of race and ethnicity interconnect with other social categories and constructs such as gender and class. The second is to think of diaspora not primarily as a strictly demarcated community or demographic unit, but rather as a set of diasporic practices through which people engage with or (re)produce ties between multiple places of belonging, particularly between a place of residence and a “homeland.”

Developments in Media and Diaspora Research

Due to its linkage with cultural studies, the concept of diaspora has mainly found resonance in research on media-related practices and experiences. However, the attention to diaspora cuts across different areas of media and communication research.

Diasporic Media Production

Studies on diasporic media production initially focused on mapping and comparing productions, showing how diasporic media cultures create connections between the multiple levels of diasporic space (i.e., the local, the national, and the transnational). Since the mid-2000s, diasporic media have become incorporated within the broader research framework of “ethnic media,” which includes media produced by and for different kinds of immigrant groups and ethnic and cultural minorities. Diasporic newspapers, television channels, and websites have been prevalent subjects of research, which has frequently focused on how diasporic media production relates to transnational political movements. Another field in which diaspora has been prevailing is the study of film production, notably linked to concepts within transnational cinema studies such as “exilic” and “crossover” filmmaking.

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